|
Reader's letters
|
|
|
Your news, views, pictures and comments
|
|
News
|
|
|
Our round-up of key stories from the ceramics world
|
|
Interpreting the cup
|
|
|
Charlotte Dew visited 'Many a Slip', curated by Alison Britton, and enjoyed the 'provocative' interpretations of the humble vessel
|
|
Master of clay
|
|
|
Thomas Bohle uses clay, water, glass, metal oxides and fire to create the double-walled thrown pieces for which he has gained an international following. Andy Christian explores his powerful work
|
|
Lights, action...clay!
|
|
|
The BBC's 'Great Pottery Throw Down' has come together with the help of potters Kevin Millward and Rich Miller. They tell CR how it was done
|
|
Gallery
|
|
|
Ceramic shows to see this November-December
|
|
The potter's blog
|
|
|
Meet Tim Lake, whose use of social media helps generate sales and forge connections for his work
|
|
A sense of touch
|
|
|
Based in Harrogate, Anna Whitehouse is fascinated by the tactile experience her pieces can offer. Alex McErlain visits her studio to learn more about her making
|
|
Re-infusing the essence
|
|
|
To produce the best contemporary work, says potter Jacob Bodilly, we grow from learning how past makers realised the highest standards. The spirit in which they were made is something that can be infused into pieces created today
|
|
A guiding hand
|
|
|
Caroline Wheater meets three potters who have benefitted from the Queen Elizabeth Scholarship Trust
|
|
A sanctuary of colour
|
|
|
Chatsworth House provides the backdrop to an exceptional ceramic sculpture - Sandy Brown's vibrant temple of clay
|
|
'It's not shopping'
|
|
|
The tale of one surprising, soon to be sold, collection of studio pottery
|
|
An eye for clay
|
|
|
We meet Reverend Richard Coles - priest, BBC presenter and ceramics collector
|
|
The potter from the Nile
|
|
|
The life, times and making of ceramist Siddig El Nigoumi
|
|
Masterclass
|
|
|
In the studio with ceramic artist Susan Nemeth
|
|
The learning curve
|
|
|
Two young potters describe the start of their careers
|
|
Auction eye
|
|
|
Philip Smith, of Mallams auction house in Oxford, sees a chance in the standing of contemporary ceramics within the world of fine art
|
|
Curse or cure?
|
|
|
Gabrielle Hoad reviews 'Curse or Cure?' at Chelsea Physic Garden
|
|
From our archive
|
|
|
Rediscovered images of Eileen Lewenstein and her work
|
